Complete Fender Floor MIDI implementation
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hirsch
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21 changed files with 1834 additions and 367 deletions
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@ -147,7 +147,7 @@ Data format for setting an effect is:
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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00 | 1c| 03|DSP| 00 | 01| 01| 00 |
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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16 |fxm| 00|slt| ??| ??| ??| 00 |
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16 |fxm| 00|slt| ??| ??| ??|en | 00 |
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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32 |kb1|kb2|kb3|kb4|kb5|kb6| 00 |
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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@ -160,6 +160,7 @@ slt - slot; before amp have numbers from 0 to 3, after from 4 to 7
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kb1, kb2, kb3, kb4, kb5, kb6 - knobs values; not every time
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all are used; maximum value of the knob depends on the effect
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?? - some strange numbers specific for each effect
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en - Effect state (1 = off, 0 = on)
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If you want to remove the effect send normal effect-setting packet but
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set "effect model" and knobs fields to zeros. I haven't tried what
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672
doc/fender_mustang_protocol.txt~
Normal file
672
doc/fender_mustang_protocol.txt~
Normal file
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@ -0,0 +1,672 @@
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Technicalities
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Here I want to put all the info I have about how Mustang amp works
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under the hood.
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Table of contents
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Overview
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Connecting
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Setting amp
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Setting and clearing effects
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Saving settings on amplifier
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Choosing memory bank
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Captured data
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1. Overview
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It has five DSPs. One for each effect family and one for amplifier
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emulation. DSPs are addressed from 5 to 9. I don't know why first five
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addresses are omitted and if this means anything. DSPs with their
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functionality are as follows:
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0x05 - amplifier emulation
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0x06 - stompbox effects
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0x07 - modulation effects
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0x08 - delay effects
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0x09 - reverb effects
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I also have found packets with device address 0x0a but don't know what this is.
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2. Connecting
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All the transmission between program and amplifier is using USB
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interrupt transfer. Endpoint to which you want to send data is 0x01
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and USB interface which you want to claim is 0x00. If you want to
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receive data from amplifier use endpoint 0x81.
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Each packet carries 64 bytes of data.
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When connecting you should send two packets to the amp and get
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response for each of them. First should have value "0xc3" set on the
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first position (counting from zero) and second values "0x1a" and
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"0x03" on zeroth and first position.
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After that a packet asking for amp's settings is send. The packet is
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of form "0xff" on zeroth and "0xc1" on first position. Amplifier
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responds to that sending:
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names of all presets in the form:
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packet with name in a form: values "0x1c 0x01 0x04" as first
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three bytes, then slot number on forth byte and name encoded
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in ASCII on 32 bytes starting from sixteenth
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packet with two first bytes and forth (slot of the preset) the
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same as in name packet
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current state of the amp in the form:
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name of the current preset in the form as described above
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amplifiers setting in the form the same as when setting
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amplifier's settings (below) except that first byte is not
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"0x03" but "0x01" and preset number encoded on the forth byte
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settings of four effects as described below with the same
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change to the first byte as in amplifier's settings and preset
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number encoded on the forth byte
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setting of some mysterious device with address "0x0a"
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confirmation packet same as in preset names
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names with settings of all presets on the Mod and Dly/Rev knobs
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(first all settings for Mod knob then all settings for Dly/Rev
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knob) in the form:
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name of the preset in the form: values "0x1c 0x01 0x04" as
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first three bytes, value "0x01" for Mod or "0x02" for Dly/Rev
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knob on third position, slot number on forth position (counted
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from zero), name encoded in ASCII on 24 bytes starting from
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sixteenth byte
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settings of the effect in the same form as for setting the
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effect (below) except that first byte is "0x01" not "0x03" and
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preset number encoded on the forth byte
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This packet is set only when sending Dly/Rev presets Dly/Rev
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knob hold settings for two effects so the next packet carries
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info about second effect, if effect is not set the packet have
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the same form as packet for clearing effect except that first
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byte is "0x01" not "0x03" and preset number encoded on the
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forth byte
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confirmation packet with values "0x1c 0x01" on zeroth and
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first byte, "0x01" or "0x02" depending on the knob on third
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byte and preset number encoded on the forth byte
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Wireshark file with whole initialization communication can be found here.
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3. Setting amp
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Format of data for setting amp is as follow:
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0 1
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0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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00 | 1c| 03|DSP| 00 | 01| 01| 00 |
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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16 |mod| 00 |
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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32 |vol|gai|ga2|mvl|tre|mid|bas|prs|?? |dep|bis|?? | number |ng |
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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48 |ths|cab|?? |sag|bri| 01|?? | 00 |
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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DSP - for amplifier it is always 5
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mod - amplifier model; different for each emulated amp
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vol - volume
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gai - gain
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ga2 - gain 2
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mvl - master volume
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tre - treble
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mid - middle
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bas - bass
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prs - presence
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dep - depth
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bis - bias
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number - don't know what this is; different for each emulated amp
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ng - noise gate; value 0x00 - 0x05
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ths - threshold; value 0x00 - 0x09
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cab - cabinet; value 0x00 - 0x0c
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sag - sag; value 0x00 - 0x02
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bri - brightness; value 0x00-0x01
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?? - values which I haven't decoded yet; different for each emulated amp
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After packet with data described above you have to send a packet which
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will tell the amp to actually apply the settings. This packet have
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zeroth byte set to "0x1c", first to "0x03" and all other to "0x00".
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4. Setting and clearing effects
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Data format for setting an effect is:
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0 1
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0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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00 | 1c| 03|DSP| 00 | 01| 01| 00 |
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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16 |fxm| 00|slt| ??| ??| ??| 00 |
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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32 |kb1|kb2|kb3|kb4|kb5|kb6| 00 |
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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48 | 00 |
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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DSP - can be either 6, 7, 8 or 9; depends on effect familly
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fxm - effect model; independent for each effect
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slt - slot; before amp have numbers from 0 to 3, after from 4 to 7
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kb1, kb2, kb3, kb4, kb5, kb6 - knobs values; not every time
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all are used; maximum value of the knob depends on the effect
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?? - some strange numbers specific for each effect
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If you want to remove the effect send normal effect-setting packet but
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set "effect model" and knobs fields to zeros. I haven't tried what
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happens if you send such packet to DSP 0x05.
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"Execute" command for both setting and clearing the effect is the same
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as for the amp setting.
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5. Saving settings on amplifier
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Saving settings is very easy since you don't have to transmit all the
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settings which you want to store. You only send a command containing
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slot number and name for a preset. Data are taken directly from DSPs.
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Packet format is:
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0 1
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0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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00 | 1c| 01| 03| 00|SLT| 00| 01| 01| 00 |
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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16 | name |
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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32 | name |
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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48 | 00 |
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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SLT - memory bank to which to save settings; value 0x00 - 0x17
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name - name of the preset ended with "\0"; if not all fields are used
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used the rest is set to 0x00
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Fender FUSE after saving settings chooses memory bank it just
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saved. PLUG also does this.
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6. Choosing memory bank
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"Choose memory bank" command looks like this:
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0 1
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0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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00 | 1c| 01| 01| 00|SLT| 00| 01| 00 |
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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16 | 00 |
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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32 | 00 |
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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48 | 00 |
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+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
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SLT - memory bank to choose
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After choosing memory bank amplifier send you settings of that bank.
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7. Captured data
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Wireshark file with whole initialization communication can be found
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here: http://piorekf.org/plug/files/initialization.log And here are
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data from captured packets for setting all the amps and effects (only
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hex part, the rest are my scribbles):
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AMPLIFIERS:
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fender 57 deluxe:
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1c:03:05:00:00:00:01:01 00:00:00:00:00:00:00:00
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67:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
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aa:99:80:80:be:80:80:80 80:80:80:80:01:01:01:00
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00:01:01:01:00:01:53:00 00:00:00:00:00:00:00:00
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0-10: gain[6] volume[7] treble[7.5] middle[5] bass[5]
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NG: off -> threshold: 0/10 depth: mid sag: 2/3 bias: mid cabinet: 57dlx
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fender 59 bassman:
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1c:03:05:00:00:00:01:01 00:00:00:00:00:00:00:00
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64:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
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aa:a2:80:80:80:7a:a2:91 80:80:80:80:02:02:02:00
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00:02:02:01:00:01:67:00 00:00:00:00:00:00:00:00
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0-10: gain[6.5] volume[7] treble[5] middle[~5] bass[6.5] presence[~6]
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blend: mid NG: off -> threshold: 0/10 depth: mid sag: 2/3 bias: mid
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cabinet: bssmn
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fender 57 champ:
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1c:03:05:00:00:00:01:01 00:00:00:00:00:00:00:00
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7c:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
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aa:b3:00:ff:80:80:80:80 80:80:80:80:0c:0c:0c:00
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00:05:0c:01:00:01:00:00 00:00:00:00:00:00:00:00
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0-10: gain[7] volume[~7] treble[5] middle[5] bass[5]
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NG: off -> threshold: 0/10 depth: mid sag: 2/3 bias: mid cabinet: champ
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fender 65 deluxe reverb:
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1c:03:05:00:00:00:01:01 00:00:00:00:00:00:00:00
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53:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
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aa:71:00:ff:91:cf:38:00 00:00:80:00:03:03:03:00
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00:03:03:01:00:01:6a:00 00:00:00:00:00:00:00:00
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1-10: gain[5] volume[7] treble[6.25] middle[8.75] bass[3] -reverb[~1]
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-speed[7] -intensivity[9]
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NG: off -> threshold: 0/10 depth: 0 sag: 2/3 bias: mid cabinet: 65dlx
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fender 65 princeton:
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1c:03:05:00:00:00:01:01 00:00:00:00:00:00:00:00
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6a:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
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aa:55:00:ff:99:cc:4c:80 80:80:80:80:04:04:04:00
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00:04:04:01:00:01:61:00 00:00:00:00:00:00:00:00
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1-10: gain[4] volume[7] treble[6.5] middle[8.5] bass[4] -reverb[5.5]
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-speed[7] -intensivity[9]
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NG: off -> threshold: 0/10 depth: mid sag: 2/3 bias: mid cabinet:
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65prn
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fender 65 twin reverb:
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1c:03:05:00:00:00:01:01 00:00:00:00:00:00:00:00
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75:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
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aa:55:80:63:b3:bb:aa:80 80:80:80:80:05:05:05:00
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00:09:05:01:00:01:72:00 00:00:00:00:00:00:00:00
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1-10: +bright gain[4] volume[7] treble[7.5] middle[8] bass[7]
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-reverb[5.5] -speed[7] -intensivity[9]
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NG: off -> threshold: 0/10 depth: mid sag: 2/3 bias: mid cabinet:
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65twn
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fender super sonic:
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1c:03:05:00:00:00:01:01 00:00:00:00:00:00:00:00
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72:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
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aa:bb:82:55:99:a2:99:80 80:80:80:80:06:06:06:02
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00:0c:06:01:00:01:79:00 00:00:00:00:00:00:00:00
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1-10: gain[7.5] gain2[5.5] volume[7] treble[6.5] middle[7] bass[6.5]
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-reverb[5.5]
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master vol: 33% NG: mid -> threshold: 0/10 depth: mid sag: 2/3 bias:
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mid cabinet: ss112
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british 60s:
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1c:03:05:00:00:00:01:01 00:00:00:00:00:00:00:00
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61:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
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aa:a2:80:63:99:80:b0:00 80:80:80:80:07:07:07:00
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00:07:07:01:00:01:5e:00 00:00:00:00:00:00:00:00
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0-10: +bright gain[6.5] volume[7] treble[6] middle[5] bass[7]
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-speed[7] -depth[8.75] cut[0]
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NG: off -> threshold: 0/10 depth: mid sag: 2/3 bias: mid cabinet:
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2x12c
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british 70s:
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1c:03:05:00:00:00:01:01 00:00:00:00:00:00:00:00
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79:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
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aa:ff:80:7d:aa:5b:c4:80 80:80:80:80:0b:0b:0b:01
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00:08:0b:01:00:01:7c:00 00:00:00:00:00:00:00:00
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0-10: gain[10] volume[7] treble[7] middle[3] bass[8] presence[5]
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blend: mid NG: low -> threshold: 0/10 depth: mid sag: 2/3 bias: mid
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cabinet: 4x12g
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british 80s:
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1c:03:05:00:00:00:01:01 00:00:00:00:00:00:00:00
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5e:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
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aa:ff:80:7d:aa:5b:c4:80 80:80:80:80:09:09:09:01
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00:06:09:01:00:01:5d:00 00:00:00:00:00:00:00:00
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0-10: gain[10] volume[7] treble[7] middle[3] bass[8] presence[5]
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master vol: 50% NG: low -> threshold: 0/10 depth: mid sag: 2/3 bias:
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mid cabinet: 4x12m
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american 90s:
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1c:03:05:00:00:00:01:01 00:00:00:00:00:00:00:00
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5d:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
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aa:8e:80:66:a4:19:c7:71 80:80:80:80:0a:0a:0a:03
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00:0a:0a:01:00:01:6d:00 00:00:00:00:00:00:00:00
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?1-10?: gain[~1/2] volume[2/3] treble[2/3] middle[~1/10] bass[3/4]
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presence[~1/2]
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master vol: 33% NG: high -> threshold: 0/10 depth: mid sag: 2/3 bias:
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mid cabinet: 4x12v
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metal 2000:
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1c:03:05:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
6d:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
aa:a4:80:55:99:4c:91:8e 80:80:80:80:08:08:08:02
|
||||
00:08:08:01:00:01:75:00 00:00:00:00:00:00:00:00
|
||||
|
||||
0-10: gain[6.5] volume[7] treble[6] middle[3] bass[6] presence[5.5]
|
||||
|
||||
master vol: 33% NG: mid -> threshold: 0/10 depth: mid sag: 2/3 bias:
|
||||
mid cabinet: 4x12g
|
||||
|
||||
|
||||
|
||||
EFFECTS:
|
||||
|
||||
overdrive:
|
||||
1c:03:06:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
3c:00:03:00:08:01:00:00 00:00:00:00:00:00:00:00
|
||||
80:80:80:80:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level gain low mid high
|
||||
|
||||
fixed wah:
|
||||
1c:03:06:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
49:00:03:01:08:01:00:00 00:00:00:00:00:00:00:00
|
||||
80:80:80:80:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level frequency min frequency max frequency q
|
||||
|
||||
touch wah:
|
||||
1c:03:06:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
4a:00:03:01:08:01:00:00 00:00:00:00:00:00:00:00
|
||||
80:80:80:80:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level sensivity min frequency max frequency q
|
||||
|
||||
fuzz:
|
||||
1c:03:06:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
1a:00:03:00:08:01:00:00 00:00:00:00:00:00:00:00
|
||||
80:80:80:80:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level gain octave low high
|
||||
|
||||
fuzz touch wah:
|
||||
1c:03:06:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
1c:00:03:00:08:01:00:00 00:00:00:00:00:00:00:00
|
||||
80:80:80:80:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level gain sensivity octave peak
|
||||
|
||||
simple comp (1 knob):
|
||||
1c:03:06:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
88:00:03:08:08:01:00:00 00:00:00:00:00:00:00:00
|
||||
01:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
type[0-3]
|
||||
|
||||
compressor:
|
||||
1c:03:06:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
07:00:03:00:08:01:00:00 00:00:00:00:00:00:00:00
|
||||
8d:0f:4f:7f:7f:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level threshhold ratio attack release
|
||||
|
||||
|
||||
|
||||
sine chorus:
|
||||
1c:03:07:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
12:00:02:01:01:01:00:00 00:00:00:00:00:00:00:00
|
||||
ff:0e:19:19:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level rate depth average delay lr phase
|
||||
|
||||
triangle chorus:
|
||||
1c:03:07:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
13:00:02:01:01:01:00:00 00:00:00:00:00:00:00:00
|
||||
5d:0e:19:19:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level rate depth average delay lr phase
|
||||
|
||||
sine flanger:
|
||||
1c:03:07:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
18:00:02:01:01:01:00:00 00:00:00:00:00:00:00:00
|
||||
ff:0e:80:80:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level rate depth feedback lr phase
|
||||
|
||||
triangle flanger:
|
||||
1c:03:07:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
19:00:02:01:01:01:00:00 00:00:00:00:00:00:00:00
|
||||
ff:00:ff:33:41:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level rate depth feedback lr phase
|
||||
|
||||
vibratone:
|
||||
1c:03:07:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
2d:00:02:01:01:01:00:00 00:00:00:00:00:00:00:00
|
||||
f4:ff:27:ad:82:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level rotor depth feedback lr phase
|
||||
|
||||
vintage tremolo:
|
||||
1c:03:07:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
40:00:02:01:01:01:00:00 00:00:00:00:00:00:00:00
|
||||
db:ad:63:f4:f1:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level rate duty cycle attack release
|
||||
|
||||
sine tremolo:
|
||||
1c:03:07:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
41:00:02:01:01:01:00:00 00:00:00:00:00:00:00:00
|
||||
db:99:7d:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level rate duty cycle lfo clipping tri shaping
|
||||
|
||||
ring modulator:
|
||||
1c:03:07:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
22:00:02:01:08:01:00:00 00:00:00:00:00:00:00:00
|
||||
ff:80:80:80:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level frequency depth lfo shape[0-1] lfo phase
|
||||
|
||||
step filter:
|
||||
1c:03:07:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
29:00:02:01:01:01:00:00 00:00:00:00:00:00:00:00
|
||||
ff:80:80:80:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level rate resonance min frequency max frequency
|
||||
|
||||
phaser:
|
||||
1c:03:07:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
4f:00:02:01:01:01:00:00 00:00:00:00:00:00:00:00
|
||||
fd:00:fd:b8:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level rate depth feedback lfo shape[0-1]
|
||||
|
||||
pitch shifter:
|
||||
1c:03:07:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
1f:00:02:01:08:01:00:00 00:00:00:00:00:00:00:00
|
||||
c7:3e:80:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level pitch detune feedback predelay
|
||||
|
||||
|
||||
|
||||
mono delay:
|
||||
1c:03:08:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
16:00:02:02:01:01:00:00 00:00:00:00:00:00:00:00
|
||||
ff:80:80:80:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level delay time feedback brightness attenuation
|
||||
|
||||
mono echo filter (6 knobs):
|
||||
1c:03:08:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
43:00:02:02:01:01:00:00 00:00:00:00:00:00:00:00
|
||||
ff:80:80:80:80:80:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level delay time feedback frequency ressonance input level
|
||||
|
||||
stereo echo filter (6 knobs):
|
||||
1c:03:08:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
48:00:02:02:01:01:00:00 00:00:00:00:00:00:00:00
|
||||
80:b3:80:80:80:80:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level delay time feedback frequency ressonance input level
|
||||
|
||||
multitap delay:
|
||||
1c:03:08:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
44:00:02:02:01:01:00:00 00:00:00:00:00:00:00:00
|
||||
ff:80:66:80:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level delay time feedback brightness attenuation
|
||||
|
||||
ping pong delay:
|
||||
1c:03:08:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
45:00:02:02:01:01:00:00 00:00:00:00:00:00:00:00
|
||||
ff:80:80:80:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level delay time feedback brightness attenuation
|
||||
|
||||
ducking delay:
|
||||
1c:03:08:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
15:00:02:02:01:01:00:00 00:00:00:00:00:00:00:00
|
||||
ff:80:80:80:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level delay time feedback release threshold
|
||||
|
||||
reverse delay:
|
||||
1c:03:08:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
46:00:02:02:01:01:00:00 00:00:00:00:00:00:00:00
|
||||
ff:80:80:80:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level delay time feedback brightness attenuation
|
||||
|
||||
tape delay (6 knobs):
|
||||
1c:03:08:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
2b:00:02:02:01:01:00:00 00:00:00:00:00:00:00:00
|
||||
7d:1c:00:63:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level delay time feedback flutter brightness stereo
|
||||
|
||||
stereo tape delay (6 knobs):
|
||||
1c:03:08:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
2a:00:02:02:01:01:00:00 00:00:00:00:00:00:00:00
|
||||
7d:88:1c:63:ff:80:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level delay time feedback flutter separation brightness
|
||||
|
||||
|
||||
|
||||
small hall reverb:
|
||||
1c:03:09:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
24:00:02:00:08:01:00:00 00:00:00:00:00:00:00:00
|
||||
6e:5d:6e:80:91:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level decay dwell diffusion tone
|
||||
|
||||
large hall reverb:
|
||||
1c:03:09:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
3a:00:02:00:08:01:00:00 00:00:00:00:00:00:00:00
|
||||
4f:3e:80:05:b0:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level decay dwell diffusion tone
|
||||
|
||||
small room reverb:
|
||||
1c:03:09:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
26:00:02:00:08:01:00:00 00:00:00:00:00:00:00:00
|
||||
80:80:80:80:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level decay dwell diffusion tone
|
||||
|
||||
large room reverb:
|
||||
1c:03:09:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
3b:00:02:00:08:01:00:00 00:00:00:00:00:00:00:00
|
||||
80:80:80:80:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level decay dwell diffusion tone
|
||||
|
||||
small plate reverb:
|
||||
1c:03:09:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
4e:00:02:00:08:01:00:00 00:00:00:00:00:00:00:00
|
||||
80:80:80:80:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level decay dwell diffusion tone
|
||||
|
||||
large plate reverb:
|
||||
1c:03:09:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
4b:00:02:00:08:01:00:00 00:00:00:00:00:00:00:00
|
||||
38:80:91:80:b6:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level decay dwell diffusion tone
|
||||
|
||||
ambient reverb:
|
||||
1c:03:09:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
4c:00:02:00:08:01:00:00 00:00:00:00:00:00:00:00
|
||||
ff:80:80:80:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level decay dwell diffusion tone
|
||||
|
||||
arena reverb:
|
||||
1c:03:09:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
4d:00:02:00:08:01:00:00 00:00:00:00:00:00:00:00
|
||||
ff:80:80:80:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level decay dwell diffusion tone
|
||||
|
||||
'63 fender spring reverb:
|
||||
1c:03:09:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
21:00:02:00:08:01:00:00 00:00:00:00:00:00:00:00
|
||||
80:80:80:80:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level decay dwell diffusion tone
|
||||
|
||||
'65 fender spring reverb:
|
||||
1c:03:09:00:00:00:01:01 00:00:00:00:00:00:00:00
|
||||
0b:00:02:00:08:01:00:00 00:00:00:00:00:00:00:00
|
||||
80:8b:49:ff:80:00:00:00 00:00:00:00:00:00:00:00
|
||||
00:00:00:00:00:00:00:00 00:00:00:00:00:00:00:00
|
||||
level decay dwell diffusion tone
|
||||
|
||||
======================================================================
|
||||
|
||||
Toggling effect on/off:
|
||||
|
||||
0 1
|
||||
0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5
|
||||
+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
|
||||
00 | 19| c3|fam| st|slt| 00 |
|
||||
+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
|
||||
16 | 00 |
|
||||
+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
|
||||
32 | 00 |
|
||||
+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
|
||||
48 | 00 |
|
||||
+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
|
||||
|
||||
fam - (3 = stomp, 4 = mod, 5 = delay, 6 = reverb)
|
||||
st - status (on = 00, off = 01)
|
||||
slt - slot; before amp have numbers from 0 to 3, after from 4 to 7
|
||||
|
||||
|
||||
1st data packet resported after toggling an effect on or off is:
|
||||
|
||||
0 1
|
||||
0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5
|
||||
+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
|
||||
00 | 1c| 01|DSP| 00 | 01| 01| 00 |
|
||||
+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
|
||||
16 |fxm| 00|slt| ??| ??| ??| 00 |
|
||||
+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
|
||||
32 |kb1|kb2|kb3|kb4|kb5|kb6|st | 00 |
|
||||
+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
|
||||
48 | ? | ? | ? | ? | ? | 00 |
|
||||
+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+---+
|
||||
|
||||
efx_family - (3 = stomp, 4 = mod, 5 = delay, 6 = reverb)
|
||||
fxm - effect model; independent for each effect
|
||||
slt - slot; before amp have numbers from 0 to 3, after from 4 to 7
|
||||
|
||||
kb1, kb2, kb3, kb4, kb5, kb6 - knobs values; not every time
|
||||
all are used; maximum value of the knob depends on the effect
|
||||
|
||||
st - Status (on = 00, off = 01)
|
||||
|
||||
This is followed by two more packets whose purpose is unknown.
|
||||
|
||||
Loading…
Add table
Add a link
Reference in a new issue